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House of Light, by Mary Oliver
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This collection of poems by Mary Oliver once again invites the reader to step across the threshold of ordinary life into a world of natural and spiritual luminosity.
Tell me, what is it you plan to do
with your one wild and precious life?
—Mary Oliver, "The Summer Day" (one of the poems in this volume)
Winner of a 1991 Christopher Award
Winner of the 1991 Boston Globe Lawrence L. Winship Book Award
- Sales Rank: #59464 in Books
- Brand: Brand: Beacon Press
- Published on: 1992-04-08
- Released on: 1992-04-08
- Original language: English
- Number of items: 1
- Dimensions: 8.51" h x .29" w x 5.51" l, .29 pounds
- Binding: Paperback
- 96 pages
- Used Book in Good Condition
From Library Journal
In her seventh book, Oliver--Pulitzer Prize winner for her 1984 collection, American Primitive ( LJ 2/15/83)--carries readers into her vivid landscape and involves them in her process of discovery and recognition--from the tiny white spot in the distance, to the realization that it's a bird, to the name and song of the bird. This is a poet who rhetorically asks: "how could there be a day in your whole life/ that doesn't have its splash of happiness?" Lyrical lines move gracefully across the page as the spirituality mounts. One is tempted to call these poems too "poetic" or "romantic," but Oliver does not avoid nature's cruelty. With original, compelling vision, she discovers the same "splash of happiness" in the snow shining around a beggar boy or the smile of a woman cleaning toilets in Indonesia. Recommended.
- Rochelle Ratner, formerly Poetry Editor, "Soho Weekly News," New York
Copyright 1990 Reed Business Information, Inc.
Review
Oliver's poems are thoroughly convincing--as genuine, moving, and implausible as the first caressing breeze of spring. -The New York Times Book Review
About the Author
A private person by nature, Mary Oliver has given very few interviews over the years. Instead, she prefers to let her work speak for itself. And speak it has, for the past five decades, to countless readers. The New York Times recently acknowledged Mary Oliver as “far and away, this country’s best-selling poet.” Born in a small town in Ohio, Oliver published her first book of poetry in 1963 at the age of 28; No Voyage and Other Poems, originally printed in the UK by Dent Press, was reissued in the United States in 1965 by Houghton Mifflin. Oliver has since published many works of poetry and prose. As a young woman, Oliver studied at Ohio State University and Vassar College, but took no degree. She lived for several years at the home of Edna St. Vincent Millay in upper New York state, companion to the poet’s sister Norma Millay. It was there, in the late ’50s, that she met photographer Molly Malone Cook. For more than forty years, Cook and Oliver made their home together, largely in Provincetown, Massachusetts, where they lived until Cook’s death in 2005. Over the course of her long and illustrious career, Oliver has received numerous awards. Her fourth book, American Primitive, won the Pulitzer Prize for Poetry in 1984. She has also received the Shelley Memorial Award; a Guggenheim Fellowship; an American Academy and Institute of Arts and Letters Achievement Award; the Christopher Award and the L.L. Winship/PEN New England Award for House of Light; the National Book Award for New and Selected Poems; a Lannan Foundation Literary Award; and the New England Booksellers Association Award for Literary Excellence. Oliver’s essays have appeared in Best American Essays 1996, 1998, 2001; the Anchor Essay Annual 1998, as well as Orion, Onearth and other periodicals. Oliver was editor of Best American Essays 2009. Oliver’s books on the craft of poetry, A Poetry Handbook and Rules for the Dance, are used widely in writing programs. She is an acclaimed reader and has read in practically every state as well as other countries. She has led workshops at various colleges and universities, and held residencies at Case Western Reserve University, Bucknell University, University of Cincinnati, and Sweet Briar College. From 1995, for five years, she held the Catharine Osgood Foster Chair for Distinguished Teaching at Bennington College. She has been awarded Honorary Doctorates from The Art Institute of Boston (1998), Dartmouth College (2007) and Tufts University (2008). Oliver currently lives in Provincetown, Massachusetts, the inspiration for much of her work.
Beacon Press maintains a Mary Oliver website, maryoliver.beacon.org. You can also become a fan on Facebook atwww.facebook.com/poetmaryoliver.
Most helpful customer reviews
11 of 11 people found the following review helpful.
My favorite poetry book
By Sally Mae
I absolutely love Mary Oliver's House Of Light poems and find that whenever I need to feel enriched I reach for her book. It is just lovely and rich with wonderful imagery and a tinge of Eastern philosophy sometimes, I think. She is my favorite poet, although I have not liked all her work. This particular book is the best one I've had of her poems and I've given many copies as gifts to those I love best. Thank you Amazon for making it available.
0 of 0 people found the following review helpful.
Lovely
By Judy Croome
Mary Oliver really is a magnificent poet - her images of nature conjure up perfect visuals of whatever natural scene she's describing. I do tend to find her poetry very intellectual as opposed to emotional (Charles Bukowski; Pablo Neruda - two of my favourite poets whose work is molten with emotions). However, despite this somewhat austere element to her poetry, her collections are always a worthwhile read and HOUSE OF LIGHT is no exception. Some favourites from the book:"Spring"; "The Hermit Crab"; "The Kingfisher" and the unforgettable, amazing and brilliant "The Summer Day" (with the exquisite ending couplet that resonates so deeply no matter how many times I read it "...Tell me, what is it you plan to do/with your one wild and precious life?"
16 of 16 people found the following review helpful.
White Owl
By Future Green Girl
The first Mary Oliver poem I ever read was stapled to a gift basket I received from my company. The occasion was the death of my mother. I read the poem over and over, transfixed, unable to picture anything but the ending image of the transcendent light washing us from our bones. This poem went straight to my core and has never left, 3 years later. She was cremated, delivered to the light, and somehow it was right and fitting that this poem become my sole and proprietary piece of connection. Her works are soaring and filled with buoyancy. Her vision and quiet observation of the world has captured me gently, gently.
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