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An Iliad, by Alessandro Baricco
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A bold reimagining of our civilization’s greatest tale of war, by the author of the acclaimed best seller Silk.
Alessandro Baricco re-creates the siege of Troy through the voices of twenty-one Homeric characters in the narrative idiom of our modern imagination. Sacrificing none of Homer’s panoramic scope, Baricco forgoes Homeric detachment and admits us to realms of subjective experience his predecessor never explored. From the return of Chryseis to the burial of Hector, we see through human eyes and feel with human hearts the unforgettable events first recounted almost three thousand years ago—events arranged not by the whims of the gods in this instance but by the dictates of human nature. With Andromache, Patroclus, Priam, and the rest, we are privy to the ghastly confusion of battle, the clamor of princely councils, the intimacies of the bedchamber—until finally only a blind poet is left to recount, secondhand, the awful fall of Ilium.
Imbuing the stuff of legend with a startling new relevancy and humanity, Baricco gives us The Iliad as we have never known it. His transformative achievement is certain to delight and fascinate all readers of Homer’s indispensable classic.
- Sales Rank: #784885 in Books
- Published on: 2006-08-01
- Released on: 2006-08-01
- Original language: English
- Number of items: 1
- Dimensions: 8.64" h x .82" w x 5.97" l, .79 pounds
- Binding: Hardcover
- 176 pages
From Publishers Weekly
Starred Review. Baricco made his name internationally with his debut, Silk (1997), and has since released three more well-received novels, most recently the war-themed Without Blood (2004). This prose retelling of the Iliad is sure to top them all. Baricco eliminates the appearances of the gods, adds an ending chapter (borrowed from the Odyssey) that recounts the famous incident of the wooden horse and the sack of Troy and—an ingenious touch—tells the story from the first-person viewpoint of various participants: Odysseus, Thersites, Nestor, Achilles. The famed physicality and violence of the poem are here ("the bronze tip... cut the tongue cleanly at the base, came out through the neck"), and Baricco doesn't sentimentalize the story—easy to do, especially with Helen. The larger plot remains: Agamemnon insults Achilles, the best warrior on the Achaean (Greek) side, who then refuses to further serve, which allows the Trojans to rally under their greatest warrior, King Priam's son, Hector. Achilles' best friend, Patroclus, receives Achilles' permission to help the Greeks, but is killed in battle. Achilles returns to the battlefield, succeeds in isolating Hector underneath the walls of Troy and strikes him down. Finally, Priam goes to Achilles' tent and begs for the body of his son, and Achilles grants his return. Medieval versions of the Iliad story conceived it in chivalrous terms, but Baricco conveys the real story, an epic of harsh dealings, small treacheries and large vanities. He adds only a few modern reflections to the character's thoughts: old Nestor, for instance, plays with the paradox that the young have an "old idea of war," which entails honor, beauty and glory, while the old take up new ways to fight simply in order to win. In an afterword, Baricco states that "this is not an ordinary time to read the Iliad," and his book is more than a pasteurized version of a great poem. It is a variation, and a very moving one, on timeless Homeric themes. (Aug.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From The New Yorker
This retelling of the Homeric epic is defiantly modern: it excises the gods and supplants the omniscient narrator with alternating voices, as one character after another—hero and bit player alike—is granted the opportunity to speak and shed light on the decade-long siege of Troy. Alluding to our current time of "battles, assassinations, bombings," Baricco's text lingers on the futility of an unending war, and casts the arrival of the thousand-odd ships as an invasion by an overwhelmingly superior force, met by young recruits throwing stones. Still, in substance, his version cleaves closely to the original. As in Homer, the lesser-known foot soldiers come to life only at the moment of their death, when they enter history; each killing is singular, and almost lovingly detailed—a sword pierces a skull and a man falls, "teeth biting the cold bronze."
Copyright � 2006 Click here to subscribe to The New Yorker
From Booklist
Baricco, the author of, among other highly regarded works, the shimmering novel ilk (1997), submits his own version, condensed from the original, of the classic epic poem he Iliad, and the result is a beguiling mixture of drama and prose poem. As he explains in the introduction, "I tried never to summarize but, rather, to create episodes that were more succinct while still made of portions of the original text. Thus the bricks are Homeric but the mortar and the resulting edifice are transformed." Updating a classic can be tricky, but Baricco's sensitive hands have wrought a dynamic, beautifully styled series of first-person testimonies from the major figures in the long-lasting Greek assault on the Asia Minor city of Troy, where the fair and absconded Helen lies in the arms of the godly handsome Paris. Familiarity with the original text is not essential for successfully experiencing this elegant depiction of warfare--yes, purely it is the story of war, with all the destruction concomitant to that situation; however, the characters achieve a remarkable individuality. Brad Hooper
Copyright � American Library Association. All rights reserved
Most helpful customer reviews
1 of 1 people found the following review helpful.
Entertaining and educational if read with Italian version
By Amazon Customer
Entertaining on its own it makes a wonderful text to practice your Italian if you read it along with the Italian version much of which is available on Google books, look for:
Omero, Iliade, on Google Books
[...]
I am an intermediate student of Italian. I find the translation from Italian to English to be quite literal and the Italian is straightforward so I recommend the two as a parallel reader. The fact that the original Homeric story is well known and well told helps.
0 of 3 people found the following review helpful.
New look at an old tale
By WILLIAM SETTEN
If you think you know all about the Iliad, Baricco's book will delight you with the insights it brings to this oft told tale. A retelling of the masterpiece from the perspective of the participants, this delightful volume is another great example of Baricco's imagination.
22 of 24 people found the following review helpful.
a truly bold reimagining: approach with an open mind
By Jane, reading groupie
I am as close to a Homer purist as you will find: BA and MA in classics. Of course this book is no substitute for Homer's original: that narrative defined all western standards for storytelling. But I must give Baricco the highest marks for crystalizing and presenting (quite powerfully) the elements of the Iliad that are still relevant to human circumstances. We no longer believe that a pantheon of gods intimately involve themselves in the lives of a few heroic figures. It is therefore the job of the modern interpreter to find the purely human motivations that haven't changed over the millennia. This Baricco has done superbly. The characters do not all sound alike, as the other reviewer claims: that's just wrong. As one who has studied Homer line by line in the original, I have as much reason in theory to be bored or unimpressed by this project. But I am not. It made me think about the original in a new way, and that's no small feat.
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