Senin, 28 November 2011

[F149.Ebook] Download PDF Professional Practice: A Guide to Turning Designs into Buildings, by Paul Segal

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Professional Practice: A Guide to Turning Designs into Buildings, by Paul Segal

Professional Practice: A Guide to Turning Designs into Buildings, by Paul Segal



Professional Practice: A Guide to Turning Designs into Buildings, by Paul Segal

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Professional Practice: A Guide to Turning Designs into Buildings, by Paul Segal

What you need to know to protect your designs and get them built as you envision them; how to get and keep clients and become their trusted advisor and professional―every architect needs the answers in this concise, thorough, and readable guide.

  • Who are the parties in architecture, engineering, and construction?
  • How do you market architectural services (get the project)?
  • What are the basic project delivery methods?
  • What are the forms of owner/architect and owner/contractor agreements and what services do they cover?
  • How should you charge for your services?
  • How do you set up an office?
  • What insurance, legal, and accounting issues must you consider?
  • What is project management and who should do it?
  • What are zoning and building codes about?

  • Sales Rank: #111953 in Books
  • Brand: Segal, Paul
  • Published on: 2006-03-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.90" h x .50" w x 9.00" l, .68 pounds
  • Binding: Paperback
  • 144 pages

Review
Paul Segal is one of the only architects I know who not only understands but truly loves both the aesthetic power of great architecture and the practical demands of the real world, and he has spent much of his career teaching younger architects that these things do not have to be incompatible. In this book, he explains clearly, concisely, and eloquently how architecture is not only an art and not only a business--how it has to be both. (Paul Goldberger, Architecture Critic and Dean, Parsons The New School for Design)

It is a pleasure to read a book in which the conscientious practice of architecture is accorded the respect it deserves. A precise and vivid account of the complex process by which buildings come to be designed and realized through the progressive interaction of clients, architects, contractors, and a wide range of technical and legal specialists, this is destined to be of equal pertinence to any of the protagonists commonly involved in the act of making buildings. (Kenneth Frampton, Ware Professor of Architecutre, Columbia University)

Professional Practice gives our changing industry exactly what it needs, a clear and concise road map to the design and building process. Paul Segal taps his many years as a successful practicing architect and educator to touch on just about every important challenge facing the profession, and yet leaves us with a healthy dose of new ideas and hope for the future. (Frank Sciame, President/CEO Sciame Construction and Development)

About the Author
Paul Segal, FAIA, is a partner in Paul Segal Associates Architects LLP, recipients of seventeen AIA awards for design excellence. A graduate of Princeton University School of Architecture, he has taught professional practice to generations of students at Columbia University Graduate School of Architecture, Planning and Preservation. He is a past president of the AIA/New York Chapter and of the New York Foundation for Architecture (now the Center for Architecture Foundation), and past vice chairman of the Preservation League of New York State.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Pro Prac
By pantograph
This book written by Paul Segal is what he teaches from in his seminars on professional practice. The book is oriented towards Master of Architecture students, and is an attempt to prepare them for the realities of working in an office or running a firm. It is written very much as he speaks, with funny anecdotes and a casual style. Segal has many years of experience working and teaching, but is also current with new trends in the profession. The book covers things like contracts, fees, marketing, and insurance.

I found it helpful, and a much less dry read than other books on similar topics (a textbook that reads more like a conversation). The thing I like the most about this book is how he tries to explain how these concepts are relevant, and what the advantages and disadvantages of various business models are for the architect. It's not so interesting however, that I would bother reading this book if I wasn't wanting to become a licensed architect.

4 of 4 people found the following review helpful.
One of the best books I've read if you really want to build.
By Matthew
It tells you step by step what to do and who to talk to and the different engineers you'll need along with percentages on prices. Hands down a great guide to getting real project built.

1 of 1 people found the following review helpful.
I bought this as recommended reading for the Programming Planning and Practice division of ...
By momof4
I bought this as recommended reading for the Programming Planning and Practice division of the ARE, and I just finished reading it, and I would definitely recommend it for the PPP division as well as the con docs and sevices division and for anyone looking for a good book on programming and practice.

See all 15 customer reviews...

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Jumat, 25 November 2011

[E230.Ebook] Free Ebook After Victory: Institutions, Strategic Restraint, and the Rebuilding of Order After Major Wars, by G. John Ikenberry

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After Victory: Institutions, Strategic Restraint, and the Rebuilding of Order After Major Wars, by G. John Ikenberry

After Victory: Institutions, Strategic Restraint, and the Rebuilding of Order After Major Wars, by G. John Ikenberry



After Victory: Institutions, Strategic Restraint, and the Rebuilding of Order After Major Wars, by G. John Ikenberry

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After Victory: Institutions, Strategic Restraint, and the Rebuilding of Order After Major Wars, by G. John Ikenberry

The end of the Cold War was a "big bang" reminiscent of earlier moments after major wars, such as the end of the Napoleonic Wars in 1815 and the end of the World Wars in 1919 and 1945. Here John Ikenberry asks the question, what do states that win wars do with their newfound power and how do they use it to build order? In examining the postwar settlements in modern history, he argues that powerful countries do seek to build stable and cooperative relations, but the type of order that emerges hinges on their ability to make commitments and restrain power.

The author explains that only with the spread of democracy in the twentieth century and the innovative use of international institutions--both linked to the emergence of the United States as a world power--has order been created that goes beyond balance of power politics to exhibit "constitutional" characteristics. The open character of the American polity and a web of multilateral institutions allow the United States to exercise strategic restraint and establish stable relations among the industrial democracies despite rapid shifts and extreme disparities in power.

Blending comparative politics with international relations, and history with theory, After Victory will be of interest to anyone concerned with the organization of world order, the role of institutions in world politics, and the lessons of past postwar settlements for today. It also speaks to today's debate over the ability of the United States to lead in an era of unipolar power.

  • Sales Rank: #62905 in Books
  • Brand: Brand: Princeton University Press
  • Published on: 2000-12-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .80" w x 6.10" l, .96 pounds
  • Binding: Paperback
  • 320 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

0 of 0 people found the following review helpful.
An International Relations Classic
By JWM
This book is a must read for any student of international relations theory. It provides one of the best descriptions of the role of international institutions in reducing interstate violence.

18 of 21 people found the following review helpful.
Why Power Needs to Restrained Through Institutions?
By A Customer
This book deals with a central question. Why do leading states after major wars institutionalize and even strategically restrain their powers? Ikenberry's response is that 'states in this situation have sought hold onto power and make it last, and that this has led these states, paradoxically, to find ways to set limits on their power and make it acceptable to other states".(p. xi) To analyze this central puzzle, the author looks at the settlements of 1815, 1919, and 1945 as well as the end of the cold war. These times are important turning points in the history of world politics as major powers search for a new international order.
Moreover, this book has important implications for contemporary American foreign policy makers. "The United States has entered the new century as the world's lone superpower. Whether that extraordinary power can be put to good use in creating a lasting and legitimate international order will in no small measure determined by how American officials use and operate within international institutions. It might appear that there are few constraints or penalties for the United States to exercise its power unilaterally and at its own discretion. But the theory and historical experiences in these chapters suggest otherwise. The most enduringly powerful states are those that work with and through institutions". (p.20)
Overall, After Victory is a very good contribution to diplomatic history, international relations theory as well as to American foreign policy.

1 of 2 people found the following review helpful.
Good, but not groundbreaking
By C.P.M.
How political institutions are created and operated is one of the keys to understanding how international affairs in general and foreign policy in particular is created. In this book, Mr. Ikenberry lays out a general thesis of the three different orderings of international affairs (balance of power, hegemonic, and constitutional) and uses the examples of the post-war orderings of 1815, 1919, 1945, and the post-Cold War period up to 2000 to back up his thesis. This book is good, if not necessarily groundbreaking, and his historical analysis of the reasons for how each post-war ordering was different in each historical instance. And his theory on constitutional international orders, which morphed by the end of the book into institutional international orders (is there a difference?) is a good avenue of research into the how our modern world is ordered. But, as I said before, there was nothing necessarily groundbreaking about this work. I would recommend that you pick up Henry Kissinger's Diplomacy (A Touchstone book) first for a much better and more detailed historical analysis of the working of international affairs first then use this book as a supplement to that.

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Rabu, 23 November 2011

[V831.Ebook] PDF Ebook Terrorist, by John Updike

PDF Ebook Terrorist, by John Updike

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Terrorist, by John Updike

Terrorist, by John Updike



Terrorist, by John Updike

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Terrorist, by John Updike

The ever-surprising John Updike’s twenty-second novel is a brilliant contemporary fiction that will surely be counted as one of his most powerful. It tells of eighteen-year-old Ahmad Ashmawy Mulloy and his devotion to Allah and the words of the Holy Qur’an, as expounded to him by a local mosque’s imam. The son of a bohemian Irish-American mother and an Egyptian father who disappeared when he was three, Ahmad turned to Islam at the age of eleven. He feels his faith threatened by the materialistic, hedonistic society he sees around him in the slumping factory town of New Prospect, in northern New Jersey. Neither the world-weary, depressed guidance counselor at Central High School, Jack Levy, nor Ahmad’s mischievously seductive black classmate, Joryleen Grant, succeeds in diverting the boy from what his religion calls the Straight Path. When he finds employment in a furniture store owned by a family of recently immigrated Lebanese, the threads of a plot gather around him, with reverberations that rouse the Department of Homeland Security. But to quote the Qur’an: Of those who plot is God the best.

  • Sales Rank: #9036287 in Books
  • Published on: 2015-09-22
  • Formats: Audiobook, CD, Unabridged
  • Original language: English
  • Number of items: 9
  • Dimensions: 5.00" h x .80" w x 6.00" l,
  • Running time: 10 Hours
  • Binding: Audio CD

From Publishers Weekly
Updike's latest offers up a probing post-9/11 history lesson on America—its mythology and street realities, religious attitudes, and the myriad nationalities that have borne this country fruit. Lane has his work cut out, and for the most part delivers. He contends with multiple foreign accents and American dialects, not to mention gospel singing and Arabic recitations of the Koran. The tale follows a righteous Muslim teenager named Ahmad, an (Irish-Arab) American born and bred in northern New Jersey, and his seemingly inevitable journey toward a domestic suicide attack. Ahmad's Irish mother, Jewish guidance counselor and Lebanese employer/handler are all rendered with distinction by Lane. But Ahmad's accent is odd and hard to trace, almost seeming to contain a Dixie influence. Lane voices an African-American schoolmate in similar style, creating the potential for confusion when the two interact. Phone calls, snippets of TV shows, speeches and sermons are treated with a through-a-speaker effect that is sometimes disconcerting. But it doesn't detract from a generally rich audio experience, one built on diverse narration and ethnically sprawling storytelling.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Not only does John Updike write tales of suburban angst; he also has a long history of ruminating on faith. Critics compare his latest novel to In the Beauty of the Lilies and The Coup except that Terrorist has an intensely contemporary flare. It's almost scandalous to see one of America's literary lions toying with such an inflammatory topic—and in the guise of a thriller, no less. The litmus test of his success with Terrorist is whether he answers the central question: What drives someone to become a terrorist? Terrorist is exceedingly well researched, and Updike writes beautifully. Still, many reviewers criticize Updike for creating Ahmad as a puppet rather than a character. That a puppet is exactly what his Imam wishes him to be begs the question whether Ahmad is a successful creation or just a thin caricature.

Copyright � 2004 Phillips & Nelson Media, Inc.

From Booklist
*Starred Review* Updike is never static; over the course of his long career, he has not only mastered various literary forms but also tackled a wide variety of subjects as material for his fiction. His new novel, swift, sinewy, and stylish, represents another big leap. In the hands of a lesser writer, such a risky topic and premise easily could have come across as presumptuous. Ahmad, an 18-year-old high school student, is the son of an Irish American mother and an Egyptian father. He has taken up the Islamic faith of his father so completely that he is obsessed with distancing himself from the unclean infidel, which is how he views the New Jersey community in which he lives. The high-school guidance counselor, who attempts to steer young Ahmad in a direction he feels is more suitable and productive, is a compelling and oddly attractive supporting character, who, as it turns out, plays a vital role in a deadly plot into which Ahmad tumbles like the naive, easily manipulated adolescent he is. This marvelous novel can be accurately labeled as a 9/11 novel, but it deserves also the label of masterpiece for its carefully nuanced building up of the psychology of those who traffic in terrorism. Timely and topical, poised and passionate, it is a high mark in Updike's career. Brad Hooper
Copyright � American Library Association. All rights reserved

Most helpful customer reviews

104 of 114 people found the following review helpful.
A qualified "thumbs up"
By B. McEwan
This is a tough call, but on the whole I am giving this novel 4 stars because it successfully held my attention, got me engaged in trying to understand the characters' motives and is beautifully written. Having said that, I want to acknowledge that many of the criticisms leveled here by other Amazon reviewers do have merit, primarily the charge that Updike's characters are often stereotypical. Of interest to me is that, while many reviewers complained about the stereotypes of fat wives, Arab-Americans and single mothers, I didn't notice any comments on the characters of African-American school girl Joryleen and her boyfriend, who is named "Tylenol," of all things. But in any case, since the stereotype issues have been well covered by other reviewers, I'm going to let that go and focus on what I see as the positives of this novel, and there really are quite a few.

For one thing, I like the fact that Updike chose this very difficult topic to write about and also made obvious efforts to understand aspects of Islamic-American culture that are doubtless utterly foreign to him. An author of his standing could just coast for the rest of his career, but this writer chose to stretch himself and try to get inside the mind of a character that represents a far more complex America than that of Rabbit, for example. This is an America that we had all better take a shot at understanding, since this is the one we are living in today, and will have to go on living in for some time to come. Believers in Islam are here and they are becoming an ever more important force in the polyglot US -- AND it is pretty clear that many of these folks are severely disaffected from the mainstream culture. *If* this alienation tends to encourage violent actions, then those of us who are of the so-called "majority" culture had better spend some time trying to understand why that is, and think about how we can help these new US residents succeed here. (That's a big IF, since it seems perfectly plausible to me that cultural alienation does not lead to "homegrown" terrorism at all. But for the purposes of this review, I am assuming that it could.)

Another positive of this novel is that it is beautifully written and highly evocative of place. The place happens to be a depressingly urbanized New Jersey, so it's easy to miss the power of Updike's descriptions, but consider this passage: "...the sky cloudless but for a puffy far scatter over Long Island, the ozone at the zenith so intense it seems a smooth-walled pit of blue fire, the accumulated towers of lower Manhattan a single gleaming mass, speedboats purring and sailboats tilting in the bay, the cries and conversation of the tourist crowd making a dapple of harmless sound around them. 'This beauty,' Ahmad thinks 'must mean something -- a hint from Allah, a foreshadow of Paradise.'

As for the criticism that Updike is anti-American and using the character of Ahmad to voice his own complaints, I counter by saying that it's important for us Americans to be more self-reflective than we may find comfortable, and that Updike is contributing something useful by raising important moral and ethical challenges to our behavior as a nation in the world. Take for example this line from pp. 198-9 of the novel: "[True adherents] believe that a billion followers of Islam need not have their eyes and ears and souls corrupted by the poisonous entertainments of Hollywood and a ruthless economic imperialism whose Christian-Jewish God is a decrepit idol, a mere mask concealing the despair of atheists."

Granted, that is powerful stuff and certainly discomfiting. But if one reads any of the world's press at all, it is pretty clear that this is the image that many people have of America, and the challenge Updike's characters are presenting in this novel seem to me to be worth considering. What sort of response shall we give to a comment like the above? How observant of our religious principles are the majority of us here in the US, and what about the economic fallout of our national trade and security policies? I am not saying that I agree with the assessments of the characters in this novel, nor do I necessarily think we should assume Updike does. But it is a view that we might at least consider if we hope to come to peaceable terms with the billions of Muslims who are solid citizens of this and the world's other nations, and who have no hostile intentions.

So, for me, the bottom line on Terrorist is that it's an important book that raises difficult questions that ought to be given some serious thought. We should be glad that Updike chose to write it.

62 of 72 people found the following review helpful.
Good but doesn't quite live up to its promise
By Galen K. Valentine
Updike's, "Terrorist" is a timely novel. Newspapers and magazines are still full of the ebb and flow of terrorist and counter-terrorist operations. It is difficult for me, and by extension I think of American society in general, to understand why anyone would choose to become a suicide-bomber. Though they are only a fraction of the terrorists they are the most puzzling. So, I bought Updike's latest book on the strength of his reputation as a novelist and the reviews claiming his understanding of the radical mindset.

On the surface the story is about a teenager, Ahmed, who embraces an austere form of Islam. His mother, perhaps feeling guilty about his father's departure, leaves him to his own devices. An intervention is clearly necessary to save Ahmed from his Imam and Updike chooses Mr. Levy, a sixtyish guidance counselor at Ahmed's high school. The story's trajectory predictably puts Ahmed and Mr. Levy together in the truck carrying the bomb.

Scratch the surface though and you find...well, read on.

Ahmed is largely unforgiving, except, illogically, to the father who abandoned him. He is unapologetic, never needing to justify his beliefs to others or even to himself. His isolation and social awkwardness are not the product of his own attitudes, but of everyone else's. In almost every way, Ahmed acts like any teenager, if a bit more radical. And that is the problem. Remove the radical Islamic element from the novel and you have a story of a generic teenager. If Updike is saying that suicide-bombers are just like "ordinary" people, with the same problems and fears, I think he missed the boat. There clearly is a difference. If there weren't, then suicide-bombers would be far more prevalent. What I had hoped for was a deeper understanding of why an Islamist would choose to commit suicide in a manner that kills as many other people as possible. Failing that, I would have liked to understand why Ahmed as an individual would make such a choice; his social problems aren't enough since so many other children of broken families face the same issues without making such a gruesome decision. I got neither.

The story is structured to propel Ahmed, and by extension the reader, toward his violent final act - exit stage left. But we are robbed of even that. Surprise endings aren't bad. I like them. But only when they result in that, "Aha!" moment when all of the pieces fall together. This wasn't one of them. I felt blind-sided and left wondering just what the point of the book was.

It might seem that I hated the book. I didn't. There were moments when I felt that Updike had looked into the soul of America and understood it. The scenes devoted to Mr. Levy and his wife are masterful. I just felt that he hadn't delivered on the promise of the book.

Updike was, and still is, considered one of the premiere voices of American society. But, "Terrorist" showed me that he hasn't quite mastered the subtleties of another culture. In the final analysis, I'm not sure Updike understands suicide-bombers anymore than I do. He does put a more human face on them. And his writing is superb. In that respect, "Terrorist" is worth reading. But don't expect to gain a deeper insight into terrorism.

13 of 13 people found the following review helpful.
Just a little disappointing
By Amazon Customer
A long time ago, I read a criticism of John Updike that said something to the effect that he observes life by stepping out his front door and looking around for a while and then going back in and writing. This is why, when Updike ventures farther afield than his usual subject -- white, middle class, protestant, New Englanders and their relationships -- his voice often falters.

"Terrorist" joins other works like Brazil, S., and The Coup, where Updike attempts to go outside of his comfort zone and explore something a little different. The problem with "Terrorist" is that he is obviously uncomfortable.

First, there are too many different characters and plot lines in the book, almost as though Updike had planned to write a much longer book, or a book from a different point of view than the one he ultimately chose. The menagerie of personalities forces him to develop a contrived (not very believable) set of circumstances that bring all of the characters together for an ending that is less suspenseful, as some critics have indicated, than it is abrupt and tidy.

One character, Hermione, is an assistant to the director of the Department of Homeland Security. Her character isn't explored and exists solely for the convenience of the denouement.

The character of Ahmad, the main character and the most fleshed out, is complex. Updike teases the reader with insight into the conflicted psyche of this devout Muslim who was raised by a Catholic mother in the United States. But it is only a tease. Updike's conception of Muslim devotion tastes too intellectual, too textbook. It is a sympathetic conception, but still one that seems to be lacking.

That isn't to say there aren't redeeming qualities. The prose is classic Updike, flowery sometimes, dark sometimes, always introspective, and always trying to understand why people make bad decisions.

I've read others call "Terrorist" chilling, and I have to disagree. "Chilling" would describe the book I wish Updike had written, the one where, through a strong focus on Ahmad, we see an innocent devotion slowly and methodically corrupted by those who would wage war in the name of God. There is a hint of that here; those who corrupt Ahmad are obviously more about manipulation than about devotion. Unfortunately, the manipulation happens so quickly as to be superficial.

This is not Updike at his best, but it isn't his worst either. I just wish his editor had told him to take six more months to tighten things up.

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Minggu, 20 November 2011

[D419.Ebook] Free Ebook JavaScript Security, by Y.E Liang

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JavaScript Security, by Y.E Liang

Learn JavaScript security to make your web applications more secureAbout This Book

  • Understand the JavaScript security issues that are a result of both the frontend and the backend of a web app
  • Learn to implement Security techniques to avoid cross site forgery and various JavaScript vulnerabilities.
  • Secure your JavaScript environment from the ground up, with step-by-step instructions covering all major ways to tackle Security issues
Who This Book Is For

This book is for JavaScript developers having basic web development knowledge and also for those who want to explore the security issues that arise from the use of JavaScript. Prior knowledge of how JavaScript is used, such as for DOM manipulation or to perform Ajax operations, is assumed.

What You Will Learn
  • Review the features of JavaScript and its vulnerabilities
  • Use JavaScript in tandem with Ajax RESTful APIs
  • Deal with cross-site scripting
  • Make basic GET and POST calls to an endpoint
  • Explore what cross-site forgery is and how to deal with it
  • Avoid misplaced trust in the client and explore various examples
  • Understand JavaScript phishing
In Detail

This book starts off with an introduction to JavaScript security and gives you an overview of the basic functions JavaScript can perform on the Web, both on the client side and the server side. It demonstrates a couple of ways in which RESTful APIs can be laden with security flaws. You will also create a simple RESTful server using Express.js and Node.js. You will then focus on one of the most common JavaScript security attacks, cross-site scripting, and how to prevent cross-site scripting and cross-site forgery.

Last but not least, the book covers JavaScript phishing, how it works, and ways to counter it.

By the end of this book, you will be able to identify various risks of JavaScript and how to prevent them.

  • Sales Rank: #2894722 in Books
  • Published on: 2014-11-21
  • Released on: 2014-11-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .26" w x 7.50" l, .45 pounds
  • Binding: Paperback
  • 113 pages

About the Author

Y.E Liang

Y.E Liang is a researcher, author, web developer, and business developer. He has experience in both frontend and backend development, particularly in engineering, user experience using JavaScript/CSS/HTML, and performing social network analysis. He has authored multiple books and research papers.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Two Stars
By Guillermo Snipe
I didn't learn anything new. You can find almost all the content in the web. Fairly basic examples.

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